The passing of my dear teacher of classical dance, Smt Shyamala, leaves a large vacuum in my being. I met her for the first time two years ago, and it was love at first sight! Her curious, soft eyes and herd gentle, kind smile, melted all hard edges within. Before I found her, I had been learning with gifted teachers, yet a restlessness burned inside of me.

Then, on the 1st of January 2013, I entered Shyamala akka’s quaint little house with a brass plate laden with fruits, flowers, betel nut leaf, and was initiated as her student. The Pandanallur form of dance that I had devoted many years to, was considerably different in Akka’s manner of teaching. There was a palpable softness, grace, and fluidity that lured me in. Though her nature refrained from any impositions upon me, I soon realised that to truly bathe in the essence of her teachings, I had to muster the courage to begin from the beginning. And so my journey resumed from the first lesson of Tatta Adavus! Apart from being an exponent of dance in Smt T. Balasaraswati tradition, Akka had been a teacher of Botany for many years, an adept yoga practitioner under her fathers tutelage, as well as an ardent student of Vastu Shastra under Shri. Ganapathy Sthapathi. These varied backgrounds influenced and coloured her manner of teaching Bharatanatyam, greatly. She was the only daughter, born into a learned family of teachers, who had settled in Sri Lanka for many years. Akka’s father saw the gift of dance in his dear daughter, who was also equally brilliant academically and in sports! Akka was a volleyball champion in her school, a passionate athlete at heart. However, her father’s keen eye for refined art, brought Shyamala Akka along with her mother, to Chennai, at the tender age of thirteen, to continue her classical dance and music studies with Smt. T. Balasaraswati. It was a cultural shock for her to adjust to living in the demanding, disciplined routine from the young age of thirteen, in a new city, quite different culturally, while being away from her larger family and estates in Sri Lanka. But her love and trust in her father, allowed her to surrender to the many years of gruelling practice in this classical dance form, which was a non-refutable, expectation from any student of the doyen of Bharatanatyam, Smt Balasaraswati, loving addressed as Balamma. During this time, she stayed at the home of a Kathakali maestro from Kerala, and hence got exposed to the classical art forms of Mohiniattam as well as Kathakali. A bright student, she was gifted with the ability to shape-shift herself to any form of dance. Though her primary teacher, Balamma, was a strict disciplinarian, she had a keen eye for a genius in a child, and allowed the flowering of each students uniqueness, if another art form complemented the student. So Shyamala akka enjoyed a privileged relationship with her teacher, Balamma. For Akka, Balamma and her family became everything. She remained eternally grateful to every wakeful moment with Balamma and safeguarded each composition learnt under her with more vigilance and care, than any material comforts or worldly manner of wealth.

During my dance lessons with Shyamala Akka, there was not a single day which missed out on some anecdote or nostalgic story from her life with Balamma. Through Shyamala Akka, I, too experienced the grace of this refined classical tradition transform every cell and breath in my body. For the first time in my life, my hunger to look, search and thirst outside of me, disintegrated. I felt quenched and nourished. I could sense an inward and outward transformation metamorphosing my life. I felt my being grow expansive. Many life situations miraculously healed, and grew new, tender, shoots! I knew I had found my teacher. I danced with her morning and evenings, as much as the universe allowed. What I internalised with Shyamala Akka cannot be counted by the number of compositions I learnt under her guidance, or the number of public performances I gave since, or whether I may pass on her teachings to other students in the garb of a teacher of this classical art form. Shyamala Akka breathed life into my brokenness. Shyamala Akka role-modelled devotion, playfulness, and the joy of dance into me. I know not of my future as she reunites today, with our Mother Goddess. I find my tears flowing and ebbing like the tides. I feel her presence, I hear her voice, her laughter, her touch, and sense her blessings pouring out towards me, as I sit stunned inside an unfathomable, dark void.

I pray for you, my dearest Shyamala Akka, as you soar towards Gods light. I pray for your guidance, as I continue on my path as a classical dancer. I love you. My heart brims with gratitude for the gift of knowing you, and learning from you, in this lifetime.